Do those of you with your own blogs feel a burning compulsion to update a lot? I do, and I feel like I've been shirking my responsibility to fill this space. As in, nobody will read this stupid thing if I don't write in it. (Duh.) The blogosphere abhors a vacuum, I guess.
Lots of free time with games is one of the things I was most looking forward to after I left my job. So I'm disappointed (or ashamed?) to admit I haven't even touched a controller since I was last paid to do so -- though over the weekend I did get in one mission with Company of Heroes, which is rocking my socks off. (Totally late to the party, I know.)
No games yet, but I did finally see
No Country for Old Men last night and really liked it. There's not much I can say about it that its Best Picture award didn't already say, but the Coens have got to be among the savviest filmmakers working these days. What an uncanny sense of narrative pacing those guys have, and they're successful in so many genres too. Also Javier Bardem can be one
really creepy dude when he wants to be. The casting was pretty great in general -- Josh Brolin was especially convincing as the salt-of-the-earth, blue collar Texas badass -- but the movie lived and died by Bardem's ability to scare the hell out of you. That guy literally became the face of evil here.

If you haven't seen it you should stop reading now: the open ending left me hanging. I wanted to see less injustice and more resolution for the protagonists, largely because the filmmakers did such a good job getting you attached to the characters, but you just don't get it in this one. (In defense of this movie, however, I hear the book's conclusion didn't really differ at all.) It seems like the sort of ending I would have loved in my more pretentious pseudo-intellectual art-house college days, but instead it was really a bit unfulfilling.
Such a vast majority of movies use the more typical Hollywood style of ending -- the one where the hero offs all the villains, blows shit up, gets the hot chick, utters a one-liner, and flies off into the sunset clinging to a rope ladder dangling from an Apache or whatever. So it was kind of jarring to have the film just
end with all these seemingly loose threads still hanging, and without the bad guy getting what I thought was coming to him. Maybe one's tastes tend more toward the mainstream as one gets older. Maybe it's really that hard to see bad people get away with doing bad things. Oh well, whatever -- sign me up for the next focus group.